![]() Notably, releases such as the Martin Taylor Maestro & Virtuoso Signatures, the Retromatic ‘P’ & ‘B’ series, and most recently, the Jezebel and Retromatic 131 range. Interest declined in the 1970s and 1980s, as many guitarists switched to solid body guitars, but archtops became popular again in the 1990s, as luthiers made innovations to the design, while keeping them attractive to collectors.FIBONACCI® GUITARS evolved as a result of a difference in direction taken between Peerless Guitars in Korea, and its marketing and product development team based in the UK.įor many years now, the team behind FIBONACCI® has been instrumental in collaborating with various, artists, designers and luthiers in developing, and delivering to market, many of the recent releases previously manufactured, under license, by Peerless. These early electric archtop guitars became popular with country and jazz acts, and helped to lay the groundwork for what became rock 'n' roll. In the 1930s, body sizes grew from 15 to 18 inches, and the acoustic archtop guitar was finally loud enough to become a solo instrument.Įlectric archtops became common in the late 1940s and early 1950s, thanks to amplifiers becoming louder and more powerful. ![]() Archtops boomed in popularity, as country, jazz and bluegrass acts adopted the guitar as their own. Thankfully, jazz musicians proved the guitar was still a viable instrument, and many chose archtops as their guitar of choice. The first redesign, the Gibson L5, was initially a flop, but has remained in production and is highly revered by archtop guitar fans.īy the end of World War I, banjos and mandolins were more in fashion than guitars. The guitars had an oval sound hole instead of the famous "f" hole of later models, which became widespread in 1922, when Lloyd Loar was hired by the Gibson Company to redesign its instruments. The early arch tops were made with cello-like bridges and tailpieces, and the neck had to form a certain angle with the soundbox. The method was expensive, but continues today in many arch top models. Gibson's mandolin differed from traditional versions of the instrument in that it had an arched top and back, similar to the look of a violin, and didn't have many of the normal internal features, like blocks and bridges, because he believed they took a great bit away from the tone of the instrument. Gibson believed unstressed wood had the superior vibration abilities, and in 1902, he formed the Gibson-Mandolin Guitar Company. Archtop guitars date back to the 19th Century, when Orville Gibson shaped the guitar's sides and tops from blocks of wood. ![]()
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